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In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact―especially the essay "The End of Art," which dramatically announced that art ended in the 1960s―this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, The Philosophical Disenfranchisement of Art continues to be of interest to anyone who thinks seriously about art, as well as to philosophers, aestheticians, and art historians.
- Sales Rank: #4455507 in Books
- Published on: 2004-12-14
- Original language: English
- Number of items: 1
- Dimensions: 9.32" h x .73" w x 6.24" l, 1.01 pounds
- Binding: Hardcover
- 248 pages
From Library Journal
Illuminating the entwined histories of Western thought and art from Socrates and Aristophanes to Warhol, the nine essays collected here explicate the development of Danto's aesthetic theory since the well-received publication of The Transfiguration of the Commonplace (Harvard Univ. Pr., 1981). A fluent writer and cogent theoretician, Danto argues that given the contemporary state of the art worldno longer in need of constant revolution and consequently "post-historical"a philosophy of the history of art is now in order. Each of his essays was originally composed for a particular professional or scholarly audience, and some have appeared in scholarly journals, but together they provide a coherent treatise both accessible to critically aware general readers and of value to students and scholars in the fields of philosophy and art. Francisca Goldsmith, M.L.S., IFCorp., Piedmont, Cal.
Copyright 1986 Reed Business Information, Inc.
Review
"The magnitude of the issues Mr. Danto's book raises is a mark of the book's importance." -- "New York Times Book Review"
"The magnitude of the issues Mr. Danto's book raises is a mark of the book's importance." -- New York Times Book Review
"The magnitude of the issues Mr. Danto's book raises is a mark of the book's importance." -- "New York Times Book Review"
About the Author
Arthur C. Danto is professor emeritus of philosophy at Columbia University. He is the art critic for the Nation and has served as president of the American Philosophical Association. His many books include After the End of Art, Nietzsche as Philosopher, and Art in the Historical Present, which won the National Book Critics Circle Award. In 2003, he was awarded the coveted Prix Philosophe.Jonathan Gilmore is assistant professor of philosophy at Yale University. He is the author of The Life of a Style: Beginnings and Endings in the Narrative History of Art.
Most helpful customer reviews
5 of 23 people found the following review helpful.
What came first, Arthur Danto ideas or the artist's work?
By David Dalessandro
Arthur Danto raises many interesting points to help understand art today. In many cases his ideas are very insightful. It made me wonder about what came first, Danto's ideas, or the artist's ideas as revealed in their work?
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