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The Witch's Boy, by MICHAEL GRUBER
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This critically acclaimed tale of a witch and her goblin-child is wholly original, and the legendary characters of old who touch their story -- Cinderella, Rapunzel, Rumplestiltskin -- are made new through Michael Gruber's imaginative lens. Gruber's literary voice is as magical as his imagination. With The Witch's Boy he has created a wondrous journey through the realms of magic.
- Sales Rank: #1686070 in Books
- Published on: 2006
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .79" w x 5.08" l, .48 pounds
- Binding: Paperback
- 304 pages
From School Library Journal
Starred Review. Grade 6-9–Once upon a time, in a faraway country, there was a woman who lived by herself in the middle of a great forest. Thus begins this literary fairy tale of a witch who takes into her home an ugly, abandoned infant whom she calls Lump. Wise in the ways of magic, the witch is inexpert in the ways of motherhood and so she appoints, in turn, a bear as his nursemaid and a djinni as his tutor. As predicted by her cat familiar, all does not go well and the witch is forced to give up her magic to save the boy. The adolescent Lump, far from being grateful for her sacrifice, becomes increasingly troublesome. Gruber incorporates well-known tales such as Little Red Riding Hood, Hansel and Gretel, and Rumplestiltskin into his narrative, giving readers a different, and sometimes more frightening, take on these childhood staples. The inclusion of these retellings and the elegance with which the author shapes his fable will appeal to readers who love to immerse themselves in the complex reworked fairy tales of Donna Jo Napoli. This is not a quick read, but it is an engrossing and enormously satisfying one.–Sharon Grover, Arlington County Department of Libraries, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Gr. 6-9. From the hypnotic mask on the cover to its perfect fairy-tale ending, this astonishing fantasy compels readers onward. Gruber, the author of several adult thrillers, has done much more than offer a well-structured adventure, full of mystery and magic--though he certainly does all that. He also plumbs the depths of the human heart and lays bare its emotions in a way that causes readers to respond instinctively. The story begins when a witch finds a baby so ugly that the note with it reads, "the devil's child for the devil's wife." The witch has no business with a child, but she fancies it, so she gets a bear to be its nanny and a hideous djinni to tutor it. Then she continues her life in service to her goddess. The more the witch underestimates parental responsibilities, the more hurt and angry the boy, Lump, becomes. Gruber cleverly weaves elements from familiar fairy tales into a saga that moves across forest, earth, and sea. But even more astute is his portrayal of the characters, especially Lump and his mother, who, locked in their own selfishness, must fight through disappointment, hatred, and anger to find forgiving love. This can be read at several levels, but those who plumb the deepest will reap the greatest reward. Ilene Cooper
Copyright © American Library Association. All rights reserved
Review
“Haunting.” (London Times)
“Brilliantly woven.” (The Guardian)
“This astonishing fantasy plumbs the depths of the human heart and lays bare its emotions.” (Booklist (starred review))
Most helpful customer reviews
0 of 0 people found the following review helpful.
Grab this book if you want to read something different
By Matthew R. Brown
Really great book always a unique classic, a very different look into the lives of fairy tale characters
11 of 11 people found the following review helpful.
The Witch's Boy
By A Customer
This Fairy Tale not only describes its own story it also incorporates many other classic fairy tales from Little Red Riding Hood to Pinocchio, each one with an added twist. Lump is the witch's boy. Abandoned at birth and taken in by a misunderstood witch. He grows up in a world of magic. He is taught by an enslaved djin and nursed by a bear. He grows up with very wrong views about people and the world. Lump thinks he is handsome but truth be told he is not handsome at all. When he finds out and is made fun of and harassed he wishes everyone who had hurt him would burn. When Lumps actions with the humans turn horribly wrong the witch and the boy must flee the sacred woods they had once enjoyed.
Thus Lump is sent on a journey through many worlds and many places. After losing what he truly loves, he hides himself behind a mask of gold and surrounds himself with riches and blames everything on his mother. After abusing life he is cast from the world only to be given a second chance in which he finds himself and the people who truly love him.
Michael Gruber writes about very strong emotions and creates very strong characters. His book has many twists and turns and you never know what's around the next bend.
I would recommend this book. Although it is a bit slow in the beginning it begins to get more and more interesting, and slowly but surely it lures you in. My favorite part of this book is how he incorporated all the other fairy tales and gave them his own twist.
59 of 61 people found the following review helpful.
A haunting tale of magic, mystery, growth, and love
By Teen Reads
One lovely spring morning, a witch ventures out to collect her daily herbs. Much to her surprise, she finds a baby in a basket outside her door. But this is no ordinary baby; it is the ugliest child anyone has ever seen, and tied to its basket is a note: "the devil's child for the devil's wife." The witch is taken aback: "Witches are supposed to eat babies, not feed them," she says. But she surprises herself by feeling an odd fondness for the ugly child, who she names Lump, and she assembles a sort of family to help her care for the boy: a she-bear, a malevolent demon, and her familiar, a cat named Falance.
As Lump grows, he struggles to find his own magical powers and his relationship to the other humans nearby. In the meantime, his foster mother has the same problems as working mothers everywhere: how to balance her time between tending the Midsummer fires and caring for her child. The witch, who is more powerful than Lump understands, is mystified by motherhood. She thinks, "I have always known what to do; I see the Pattern clear as my own hand, and I follow it and am content. But there is no guide here, and every path I can see leads to some pain. Perhaps this is part of having a child; the Pattern is of no use, and there is this aching in my heart."
Soon enough, disaster strikes, and Lump, the witch, and Falance hit the road. Robbed of her powers when she makes the ultimate sacrifice for her child, the witch must find a new life for herself: "It is the case that I cannot be both a mother and a witch, or not the sort of witch I was." In the meantime, Lump grows more distant, demanding, and hard to love. Fashioning themselves as The Faeryland Outcasts, the three perform magic and meet dozens of characters who will be vaguely familiar to readers from other fairy tales.
THE WITCH'S BOY, though, is far more than a fractured fairy tale. Although many of the characters, settings, and situations are borrowed from folklore, the complexities of plot and theme go far beyond simple fairy stories. The conflicted relationship between mother and son, the psychological pain inflicted on the boy Lump, the ways all the characters must step out of themselves to find friendship and love, the unexpected places where magic is found --- all these elements elevate THE WITCH'S BOY from a simple fairy story to a haunting, fully developed tale of magic, mystery, growth, and love.
--- Reviewed by Norah Piehl
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