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This wasn’t Germany in 1935; it was Scotland in 2000 when MSP Wendy Alexander announced repeal of anti-gay law ‘Section 28’. Christian fundamentalist Brian Souter poured £2m into a ‘Keep the Clause’ campaign backed by a tabloid newspaper, Cardinal Winning of the Catholic Church and a string of influential social conservatives. Billboards went up across Scotland vilifying homosexual practices. Newspapers spread warnings of gay ‘cliques’ and an ‘international conspiracy’. Attempts were made to close gay organisations whilst doors and windows were smashed. Intellectuals who lent support were denounced. It was a time when diagrams appeared in newspapers illustrating homosexuals’ distinguishing features. Parliament buckled while a community in crisis endured verbal abuse, beatings, suicides and murders. A lesson in history that lends meaning to events today.

• Sales Rank: #7549240 in Books
• Published on: 2014-04-09
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.16" w x 5.50" l, 1.30 pounds
• Binding: Paperback
• 514 pages

About the Author
Garry Otton is the author of 'Sexual Fascism' (Sex in the Scottish media) and is the founder of the Scottish Secular Society.

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Information is seriously undervalued and underused as a corporate resource. The pressures of global competition and a growing dependence on information technology mean that the effective use of information is more important now than it has ever been. This book is a fundamental guide for unleashing information potential, by combining the discipline of information architecture with the power of knowledge management, to drive organizational changes.

Instead of unlocking the potential of information, people are drowning in detail. Current books only approach this subject from an information technology perspective. This book combines techniques from knowledge management and information architecture to provide a layer above the detail - techniques for seeing the big picture.

• Sales Rank: #4155420 in Books
• Published on: 2003-10-17
• Released on: 2003-09-04
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .56" w x 6.14" l, 1.10 pounds
• Binding: Paperback
• 227 pages

Review
"...Information First provides easily understandable material, which could be filleted and presented to senior management in order to provoke thinking about the importance and value of information"
Information World Review Jul-Aug 2004

From the Back Cover
Information is seriously undervalued and underused as a corporate resource. The pressures of global competition and a growing dependence on information technology mean that the effective use of information is more important now than it has ever been.

Information First: Integrating Knowledge and Information Architecture for Business Advantage is a fundamental guide for unleashing information potential, by combining the discipline of information architecture with the power of knowledge management, to drive organizational changes. This book combines techniques from knowledge management and information architecture to provide a layer above the detail - techniques for seeing the big picture.

The book
* creates a clear picture of an organization and the way it works, by mapping the information and knowledge resource, showing where change is required and providing a plan to achieve it
* shows how to streamline decision-making and action-taking by eliminating frustration and confusion
* supports an information-based culture by maintaining the right infrastructures and constantly improving the use of the information resource

Roger Evernden and Elaine Evernden are directors of 4th Resource Ltd: http://www.4thresource.com
Architecting information has been Roger's vocation for more than twenty years. He has researched and developed successful models and methods that have helped countless organizations use information to satisfy their needs effectively and often innovatively. Roger believes passionately that the intelligent use of information is increasingly necessary for a better future.

Elaine's background is in art. She is interested in how information is structured and represented to produce effective communication, how people relate to information, and how they relate to each other through the mediating influence and use of information.

About the Author
Roger Evernden is a well-known specialist in the effective use of corporate information. He has been working in the area since 1980, primarily in the finance industry, government, information technology & manufacturing sectors. He is a respected authority on model-based approaches to information management & information architecture, developing guidelines & techniques that are used in many leading organizations. Speaks frequently to management & technical audiences.

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3 of 3 people found the following review helpful.
Disappointing read
By Joost
When I came across this book I was first delighted. I was hoping for a proper book on Information Architecture. After reading the book, I must say that the book both delivers and disappoints.

On the positive side: it is indeed a book on architecting information for the enterprise (as opposed to structuring a web site). And the focus of the author is on defining and modelling information, information flows and information responsibilities, as opposed to focussing on IT architecture. His "essential eight factors" and some of the checklist are very useful, as are his discussions on using information to drive change and the various types of information responsibilities. Also his vision on the various viewpoints on information that are at the same time different and all true is spot on.

Why is the book disappointing? Well, it is a "what" book and not a "how" book. It contains checklists and procedures, but hardly any information on how to execute those procedures, or what the results should look like. The author states several times that an "information value chain" is an important technique for the information architect, but never shows an example! Most examples that *are* in the book, are too simple and too abstract to be of use. "Understanding" is one of the essential eight factors discussed, but the book itself lacks understandability. Most sentences are very abstract. The book definitly lacked a good editor: someone should have told the author that he probably is very good at his work, but not very good at writing and explaining about it. The author never defines "information architecture" and the part about "integrating knowledge" (as stated in the subtitle on the cover) is completely missing from the book.

I think that the "real" contents of this book can be written down in about 50 pages. It is sad that the author needs another 170 pages to actually hide what he has to tell.

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[F720.Ebook] Get Free Ebook Creative Writing: A Guide and Glossary to Fiction Writing, by Colin Bulman

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All writers are familiar with terms like plot, suspense, conflict and character. They may be less familiar with intertextuality, anachrony, and fabula, and they may be even less confident in achieving the effects these terms refer to. This book defines fictional techniques and guides the potential writer in their use. It may spark off ideas for stories and novels and provide first-aid for failing stories. A story's ending may come as a surprise to the reader, suspense may have the reader on the edge of the seat, and conflict may lead to unbearable excitement. It is the job of the writer to create these effects and this book illustrates how it is done.

The book is for students doing creative writing in higher education, at "A" level, and it will be essential reading for anyone interested in writing fiction.
Contents:



* Definitions of over 200 terms and techniques to do with fiction writing

* How to achieve fictional effects


* Literary examples of the techniques described
Characteristics of genre as well as literary fiction

* Basic but essential techniques such as writing dialogue and using figures of speech


* Definitions of major terms used in publishing

• Sales Rank: #2786186 in Books
• Brand: Brand: Polity
• Published on: 2006-12-07
• Released on: 2006-11-19
• Original language: English
• Number of items: 1
• Dimensions: 9.05" h x .62" w x 6.05" l, .81 pounds
• Binding: Paperback
• 256 pages

Features

• Used Book in Good Condition

Review
"As a guide and glossary it is well researched and presented in plain English with many valuable insights into not only the meanings, but also the background to many of the words and phrases ... Also, it is a wonderful book to just sit and dip into at will – you are sure to learn something and be entertained at the same time."
Writing in Education

"Superbly written and organized, Creative Writing is as thoroughly engaging and 'reader friendly' as it is informed and informative, making it a very highly recommended addition to any aspiring novelist's technical reference collection."
Midwest Book Review

"A present with a future - the guide might lead lead to a new career for its recipient."
Hexham Courant

"Creative Writing will be useful to apprentices at all levels."
Times Literary Supplement

"This is a comprehensive and eminently accessible text. The information is authoritative and clearly presented. The coombination of guide and gloassary is very appealing and I could see this being of great interest not only to writers but to fiction writing tutors and English Literature teachers as well. I thoroughly enjoyed browsing through the entries. The explanation of technical terms and the practical illustrations makes this a very readable reference book."
Jane Bluett, a member of The National Association for the Teaching of English

"An innovatiove and informative guide. As well as offering clear and comprehensive definitions of figures of speech, historical and current literary trends and many aspects of publishing, Bulman's book includes numerous entries on fiction writing techniques which cannot fail to inspire the aspiring writer."
Sue Richardson, writer and lecturer in Creative Writing

From the Back Cover
All writers are familiar with terms like plot, suspense, conflict and character. They may be less familiar with intertextuality, anachrony, and fabula, and they may be even less confident in achieving the effects these terms refer to. This book defines fictional techniques and guides the potential writer in their use. It may spark off ideas for stories and novels and provide first-aid for failing stories. A story's ending may come as a surprise to the reader, suspense may have the reader on the edge of the seat, and conflict may lead to unbearable excitement. It is the job of the writer to create these effects and this book illustrates how it is done.

The book is for students doing creative writing in higher education, at "A" level, and it will be essential reading for anyone interested in writing fiction.
Contents:

• 
  
• Definitions of over 200 terms and techniques to do with fiction writing
  
• How to achieve fictional effects
  
  
• Literary examples of the techniques described
  Characteristics of genre as well as literary fiction
  
• Basic but essential techniques such as writing dialogue and using figures of speech
  
  
• Definitions of major terms used in publishing

About the Author
Colin Bulman has taught creative writing in universities for 20 years. He has published fiction and non-fiction as have some of his students.

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Years ago, Chase Richards and Mathias Tobler fell in love while training for the US Olympic fencing team. Afterward, they even attended the same business school so they could be together. Then Chase left Mathias alone and heartbroken in Italy. But all of that is ancient history by the time Chase thunders back into Mathias’s safe, settled life with a business deal.

There’s no way Mathias is going to do business with Chase. He spent nine years picking up the pieces and has moved on in life—and love. But Chase won’t give up without a fight: he concocts a scheme to manipulate the market and take over the Tobler family business. If Mathias wants to save it, he’ll have to face off against Chase over crossed sabers.

Chase has a reputation as an unscrupulous corporate raider, but the Tobler business holds little interest for him. In reality, he wants Mathias. Chase must win him back—by any means necessary—before Mathias gives his heart to someone else. But how does a cold-blooded corporate raider convince the man he loves that his heart really isn’t made of stone?

• Sales Rank: #798856 in eBooks
• Published on: 2012-09-27
• Released on: 2012-09-27
• Format: Kindle eBook

Review
I highly recommend Hostile Takeover. It is a story of love and loss, of mistakes and misunderstandings, and of drama and romance. It's an enthralling tale of the time stolen from two lovers who found their way back to one another by ways of a rocky path. -- 4.5 stars, Crissy @ Joyfully Jay

I recommend this book to anyone that loves, friends to lovers, business duels, sword fights, men in expensive suits, hot mansex (with men in and out of expensive suits)... How about a hot love story with lots and lots of drama! Oh blindfolds we mustn't forget those! -- 4 stars, Cat @ MMGood Book Reviews

About the Author
EM Lynley, a Rainbow Award winner and EPPIE finalist, has worked in high finance, high tech, and in the wine industry, though she'd rather be writing hot, romantic man-on-man action. She spent 10 years as an economist and financial analyst, including a year as a White House Staff Economist, but only because all the intern positions were filled. Tired of boring herself and others with dry business reports and articles, her creative muse is back and naughtier than ever. She has lived and worked in London, Tokyo and Washington, D.C., but the San Francisco Bay Area is home for now.

She is the author of Sex, Lies & Wedding Bells, the Precious Gems series from Dreamspinner Press, and the Rewriting History series starring a sexy jewel thief, among others.

Most helpful customer reviews

7 of 9 people found the following review helpful.
Not convinced I am afraid
By Sirius
Except few preorders I usually do not buy new releases on its first day anymore, especially with Dreamspinner, I wait till they discount at least a little bit. But I am a sucker for any variations of "from enemies to lovers" trope and when I saw that this blurb promised at least some of that, even though it was more like from lovers to enemies to lovers, I was sold. I could not wait and clicked the buy button today.

The book is very well written, this writer certainly knows her craft, the writing is gripping, hence I could not in good conscience give less than three stars. But I was extremely dissappointed with the characterizations of two main characters. Chase is, eh, how to put it? Not exactly evil, but the one who closed off his heart and start doing cold heartless things. In fact, if you have seen american movie "Pretty woman", I invite you to imagine Edward Lewis and IMO you have Chase's basic characterization right there.He was just too one note to me and not at all multidimensional character, but Matias IMO was was even more one dimensional. Just suffering perfection, IMO.

And miscommunication, do not get me start on their miscommunication. Chase could not communicate to Mattias and to apologise for nine years and finally he starts "communicating" with what he did? The word idiot comes to mind. In fact I want to make it plural, for both of them.

I am sorry, I do apologise if I sound too emotional in this review, I should have probably waited few days before writing it rather than doing it right after I have read the book, but I feel that I have every right to vent about the characters. I want to slap them both, repeatedly :)

They are very good together though, I must say that, they have great chemistry and I did enjoy reading the second part more than I enjoyed first one.

And why why must the only woman who has some impact on the story be if not evil, then another unbelievably idiotic character who does hurtful things?

2 of 2 people found the following review helpful.
gripping storytelling
By Scott Pavelle
Chase is too bound to his father's approval - damaged goods, but not showing the signs of years of emotional trauma. Mathias is too perfect - almost naive and not suited for the rough and tumble of the business world, until we find he has his own spine of steel as the story rolls on. Miscommunication: more like act of sabotage by an antagonistic father. Female character: a shallow society gal who redeems herself only in the very end.

So here are your tropes, and it doesn't sound like much. That is precisely why I fell in love with this book, though: there are no natural disasters, alien invasions, dreadful disease, criminal violations or Acts of God that would squish these two guys together, tear them asunder, and then lead them to find one another again. Nope, it's all their own doing, and I can't tell you how refreshing it is to see writing that is not propped up by the crutches of outside force majeure. The drama is internal and so is the personal growth, for the both of them.

I would suggest that the reader does not view the structure of the story as "heavy on flashbacks", but rather as an intricate plait of related and mutually supportive story lines. The book as a whole is an exercise in masterful timeline manipulation. There are no holes, no loose ends, no unnecessary diversions. Full of surprises, every eye-opening event unfolds for a reason. The story would not have suffered, had the woman been a stronger person in many respects. The basic plot line would have still applied, but even so I am happy to recommend this book, knowing that I will end up rereading it in not too long.

2 of 2 people found the following review helpful.
This book certainly took me over, though not in a hostile way :)
By L. Suvi
Chase and Mathias. Wow, what a ride. These frenemies just... pushed me through some emotional hoops that left me so mad, so frustrated, and so pissed off I was practically shouting! And that's how I know a good book from a meh book. There were lots of times I gritted my teeth, but also times when I laughed out loud. Case in point: "Insert tab A to slot B." How's that for brilliant dialogue? :) Loved it! And the whole duel scene for the fate of a corporation? Nice!

It was so annoying that these guys behaved one way, and then inside they were completely different! Sucks, but that's reality. People do wear masks for the benefit of other people, always just a bit of pretense to ward off those who might get too close and see you for you who truly are, in fear of rejection and disappointing. And Chase's Dad? I had murder on the brain!

I was glad I was forewarned about the time jumps. No, this is not a time travel story. I mean the story jumps from the past to the present and back again. They happened a LOT. It took some getting used to, but I get why this method was chosen: Instead of knowing right off the bat what caused the guys to break up back in the day, we get breadcrumbs to follow. The contrast between the warm, loving past and the brutal, cold present was startling--and effective. I kept turning the pages in a feverish rush to find out more about these guys and what was going to happen to them.

I highly recommend this!

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